Post-Production Supervisor & Animator

From 2018 to 2020, I worked with the Microsoft Brand team on a series of motion explorations meant to stretch how Microsoft could show up in video without losing the core identity. The goal was not to throw the system out. It was to see how far we could push it and still have it feel unmistakably Microsoft.

The examples below are some of the tests I led with my motion graphics team. Some stayed as explorations. Others turned into techniques we used in real projects.

Microsoft

Common Intro

When I started at Microsoft, most videos used the same intro and outro. It worked, but over time more teams wanted variations, either to fit a different tone or to get to the customer story faster.

That led us to explore ways of bending the standard package without losing the brand. In some cases, we skipped the usual text intro entirely and opened straight on the story.

Manipulated Logo Animation

One of the first places we started experimenting was the Microsoft logo itself. I began testing alternate ways of bringing it on and off screen, especially while working with the Microsoft 365 team.

Those early studies helped us think a little more loosely about brand motion and opened the door to a wider set of transitions.

Zoom Transitions & 3D Objects

Another option we explored was a fast zoom transition that blurred the footage at peak speed. That created a kind of rack-focus feeling as the video moved from the Microsoft logo into live action.

We also started testing 3D objects at the beginning of the video, which gave the open a different kind of weight and a little more dimensionality.

Updated Color Wipe

The three-color wipe showed up in almost everything, so naturally we started asking how far it could be pushed. One direction was a mock 3D version that still moved quickly and could be built efficiently in After Effects.

It kept the spirit of the original transition, but gave it a little more depth and variation.

Rotoscoping

From there, we pushed further by using filmed talent to wipe the Microsoft logo on and off. It was a simple idea, but it gave the branding a more human feel and made the transition feel tied to the footage instead of pasted on top.

That approach ended up being one of the more enjoyable ones to explore, and we carried it into several projects.

Text Animations

A big part of leading the motion team was setting best practices for how text should move inside Microsoft videos. I spent a lot of time shaping that direction, especially for sizzles and social pieces where the motion needed to feel fast but still on-brand.

This example shows some of the text animation approaches I shared with the team and used as a baseline moving forward.

Animation - Thomas Nichols
Post-production Supervisor & Animation - Patrick Flaherty

Selected Works

Alamo DrafthouseGraphic Designer, Animatior, Director & Producer
Adobe | Welcome to SummitDirector & Producer
Introducing Windows 11Motion Graphics Designer
Oblivion Interactive DisplaysAnimator, Producer & Director
Meet the new Surface Laptop Go 3UI Production Director
Introducing Copilot+ PCsUI Production Director, Asst Director & Producer
Meet the new Surface Copilot+ PCsUI Production Director
Introducing RecallDirector, Producer, UI Production Director
Introducing Surface Duo 2Motion Graphics Designer
Introducing Surface Pro 9UI Production Director
Make AI simple with AdobeDirector, Producer, Animator & Editor
Introducing Windows CopilotUI Production Director
Introducing Project VolterraMotion Graphics Designer
Introducing Surface Laptop StudioMotion Graphics Designer
Introducing Surface Laptop 5UI Production Director
StorytellingDirector, Producer, Animator
Microsoft ListsPost-production Supervisor
Microsoft FormsPost-Production Supervisor
Canon EOS R5 & R6Editor & Animator
International Rescue CommitteeGraphic Designer, Animator, Director & Producer
ExamityDirector, Producer & Animator
United WayEditor & Animator
It’s Not ComplicatedDirector & Producer
Jennie Garth - The Eye SolutionDP, Producer & Editor
Microsoft | Modern WorkplacePost-Production Supervisor & Editor
Four Nights in DecemberProducer, Director, DP & Editor
Alcon - Training VideosDP, Director, Producer & Editor
Alcon - Talking Heads & InterviewsDP, Director, Producer & Editor
AI CompanionDirector, Producer, Motion Designer & Editor
Talks & WorkshopsSpeaker & Presenter
2020 Stoke Holiday CardAnimator & Director
Build | Microsoft 365 Intro and OutroPost-Production Supervisor
Ignite | Security IntroPost-Production Supervisor
Ignite | Teams Intro & OutroPost-Production Supervisor
Alcon TVProducer, Director, Editor, & Animation
Alcon Live MeetingsProducer, Director, Editor, & Animation
InvasiveProducer
Microsoft Lists | We got thisPost-Production Supervisor
Microsoft PlannerPost-Production Supervisor
Microsoft ProjectPost-Production Supervisor
Cinema 4D BasecampArt, Animation & Graphic Design
Quarantine 2020Graphic Design, Animation & Director
70 Years of AlconAnimation, Director & Producer
Chuck NorrisGraphic Designer, Animator, Director & Producer
Character Animation Bootcamp - School of MotionGraphic Designer, Animator, Director & Producer
EchoNous BiomedGraphic Design, Animation & Director
Live BallotGraphic Design, Animation & Director
Architecture & Nature AcademyGraphic Design & Animation
RotoscopingAnimation
Make Great ArtGraphic Design, Animation, Director & Producer
SystaneAnimation, Director & Producer
Power BI | Microsoft TeamsEditor & Animation
35 DentonCamera Operator, Producer & Editor
David Crosby & Snarky PuppyCamera Operator, Producer & Editor
DCTA Ribbon CuttingDirector, Producer & Editor
Live From DansDirector, Producer, DP & Editor
#LiveInColor 5KDP, Producer & Editor
Leukemia TexasDP, Director, Producer & Editor
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© 2026 Patrick Flaherty
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